People digging their own end will be like people digging their own end.
Step by step, a group sketches a path ahead. Always ahead, they mess with conviviality pacts, and, even still, remain as a group, a tribe, a community, society… creating, fighting ahead, hopelessly. Ahead but faithless. Ahead as an ethical imperative. A body that no longer bear and still remains. Ahead. To the end.
WORSTWARD ON is the creative flux without a central character in its origin – that is, no director, playwriter or choreographer. It is partly made of a dialogue between Marcelo Evelin and Thereza Rocha. A vertiginous dramaturgy, an intense search for going deep on a way of doing starting from one action only, remaining in this action. From insistence a space is open to several readings.
|| Tchnical Sheet
Performers: Andréia Pires, Andrei Bessa, Geane Albuquerque, Gyl Giffony, Lucas Galvino, Wellington Fonseca
Colaborative performers: Rafael Abreu e Melindra Lindra
Assessment: Marcelo Evelin
Dramaturgic Colaboration: Thereza Rocha
Sound: Uirá dos Reis
Set: Inquieta Cia. e Caroline Holanda
Costumes: Isac Sobrinho e Mallkon Araújo
Lighting: Inquieta Cia. e Walter Façanha
Graphic Project: Andrei Bessa
Photos: Chun, Igor Cavalcante Moura, Éden Barbosa, Rômulo Juracy e Thiago Sabino
Lenght 50 minutes
Rating 16 years-old
The work is touching violence, sometimes euphoric. Always continuous, and although at times it seems muffle, it is never settled. Moving on, even if we fall apart. It is the utmost metaphor for the human condition as they show us.
Henrique Rochelle, dance critic.
Forwards the Worst does not involve making believe. There is the work: alive and present. Figurative language and demonstrative movement do not fit, and the six performers know it. The work gains power precisely by sincere repetition, by spontaneous movement. The show is only worth the sweat spilled onstage. That’s all.
Renato Abê, O Povo
|| Sataff and needs
The spectacle takes place with proximity between the audience and the scenic space. We suggest an area of at least 11 meters of extension in which performers will move themselves.
Bleachers or comfortable chairs in increasing levels, to assure the public a good view of the scene.
Installation time - 5 hours
Technical rehearsal - 1 hour
Desinstallation time - 1 hora
04 volumes: 2 linoleum pieces ; 2 zinc pieces which are the scenery walls. Due to the heavy weight of this last material, we suggest transportation by land or its buying in the presentation city.